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(by artist name, ethnicity, media,
theme, or keyword)
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ARTIST ARCHIVE
Niizeki Hiromi
female, Japanese American born in 1963
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Bio |
Bibliography |
Contact
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Super Hiromi 1999; Dimension variable; Asian American Arts Centre, NY;Installation view; Foam, ink pulped, junkmail. |
Water 1999; Dimension variable; Cave, NY; Installation view; Flier, tabloid newspaper, wire, nail. |
My Living Room 2001; Dimension variable, Highways Gallery, LA, CA; Audience participatory installation; Flier, ink pulped, junkmail. |
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My Bedroom 2001; Dimension variable; George Gillies Gallery, NY; Audience participatory installation; Flier, ink pulped, junkmail. |
Balls included in Elements 2000 Show at HereArt, NY; Dimension variable; Flier, ink pulped, nail junkmail. |
The Picnic 1999; Dimension variable; George Billies Gallery, NY; Audience participatory installation; Flier, ink, picnic table, junkmail, nail. |
Themes:
identity, gender, conceptual, abstract, functional, environment, social issues
Review:
Nizeki Hiromi Nizeki Hiromi creates participatory installations. She collects and uses recycled junk mail and other readily available throw-away materials to create her environments, which comment on man's wasteful consumerism. In his write-up on her exhibition, Picnic, Bruce Bauman mentions that "Identity is a key to Hiromi's art." Available research materials on this artist in the AAAC Archives are 49 slides, reviews, invitation cards of the exhibitions in which her works are involved and installation photos. Reviewed by Young M. Park, Curator
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